元电影非常好的小成本偷懒方法说偷懒主要有两个原因其一以真实来构筑电影只需要拍 what it is;其二在“电影”结束之后观众展开讨论讨论中包含了对前者的利弊分析在创作者自行讲出弊端的时候——真正的观众——我们便无话可说(当然 我提前预设了电影中的观众台词是被设计的如果这些台词不是预先设计好的而是一种真实的反应包括“电影”创作者在电影中对观众反应的反应都不是设计的而是真实的那么所有情况又回到了第一种偷懒
Compared to other works I've seen so far, this one is less in the realm of magical and suspense, equipped with much fewer whimsical and enchanting moments in the traditional sense...there is clear imbalance among these protagonists, with Ida being the one with (significantly) least screen time, but Rivette likely doesn't care. The eventual encounter of the other 2, Louise and Ninon, and the bonding thereafter, is clearly reminiscent of Celine and Julie Go Boating, and that includes their joint effort in subverting gender dynamics...see full review at https://letterboxd.com/ziggyzaggy/film/up-down-fragile/