像是另一种画风的《性成瘾》在极致孤独的时光里把绝望转化为实体的脂肪用富有仪式感的慢性自杀祭奠挚爱与单男的忧郁不同的是《人间中毒》更显悲怆极力渲染不愿被拯救的哀痛和巨物陨落的悲壮达伦出色的室内镜头调度和布兰登费舍的精湛表演相得益彰几段查理起身、暴食的独角戏里他如同化身追逐白年轻的母亲4的亚哈船长也是那头被当做猎物的白年轻的母亲4信仰与凡爱的对立、亲情与怨恨的矛盾如明暗分割的灯光在脸上相对但父女线实在是刻画得过于粗糙直接达伦像是清楚这一段即短板又重要用力过猛地一遍遍强调那句“You are amazing”过分地煽情反而损耗了我前半段积攒的情绪当查理在女儿的读书声里站起来企图把巨物之死烘托得温情而壮烈给夸张沉重的脚步特写时我脑子立刻浮现出“假”字
3.5; Curse the misleading trailer! Thank god it’s not some formulaic expression of feminism as the trailer makes it out to be. After all, Little Women is not a didactic piece that urges women to discard their ‘heart’ and ‘beauty’ just because they are socially expected to have those qualities. When a social norm begins to threaten one's autonomy, always remember: if one went the opposite way of a stereotype for the sake of breaking that stereotype, one is still dictated by that very stereotype. Joe learns it the hard way, and her most revealing line in the film is: 'but I'm so lonely'. The very line that's been cut off from the trailer.